Tier 1 — Susan Veeder (1816–1897) and Eliza Brock (1810–1899)

Two complete, illustrated, day-by-day voyage journals already digitized by the NHA. This is the rare local case where Corpus A is a cabin, a calendar, and sixteen watercolors.

They are quieter than Mitchell or Essex. That is why they work as VR/AR extras and as second chairs, or as a season-two hero pair.

Why Tier 1

Primary material

Susan C. Austin Veeder — ship Nauticon, Sep 1848–Mar 1853

Source Where
Journal, complete scan https://nha.org/digitalexhibits/nauticon/index.html and NHA exhibit page with paged PDFs
Published as Islands Seen by Ship Nauticon 1848–53 Cite the edition NHA used
Additional Nantucket journals NHA collection (WikiTree notes onshore journals exist)
WPI 2020 interactive map Transcript + lat/long spreadsheet of entries — ask NHA for that research file rather than re-keying
Voyage facts Ship built 1848 Mattapoisett; owners G & M Starbuck; 1445 bbl / 4600 lb baleen; sons Charles Jr. (12) and David (6) aboard
Likeness NHA photo GPN768 (used in island women’s exhibits)

Contents the model must be able to stand in: Talcahuano; Pitcairn and Fletcher Christian’s house; Sandwich Islands; Arctic ice 13 days; polar bear; sixteen island watercolors.

Cutoff for the voyage-self: March 1853 landfall. An old woman in New Bedford (d. 1897) is a different file.

Eliza Spencer Brock — ship Lexington, 21 May 1853–25 June 1856

Source Where
Complete scan https://www.nha.org/digitalexhibits/brocklog/
Exhibit index Azores, Cape Verde, New Zealand, Hawaii, South Pacific, Okhotsk; isolation line: “if it was not for hope the heart would break.”
Gift note 31 July 1922 Son Joseph C. Brock to NHA; he had been aboard at age 6
Extra matter in the MS Poems, letters, “Nantucket Girls Song,” account of Citizen wreck (Capt. Thomas H. Norton), whale-taken stamps

Captain Peter C. Brock (1805–78). Isolation and weather are the voice, not oratory.

B / C

Partners

Org Role
NHA Lead. Journals, photos, Boardman embroidered tribute to Veeder, Whaling Museum.
New Bedford Whaling Museum Nauticon later New Bedford voyages; Veeder died there.
WPI Nantucket project alumni / NHA digital Existing map + transcript.
Theater Workshop of Nantucket Spirits Within Us already scripted Veeder. Collaborate; don’t compete.

Programs

  1. Cabin VR / kiosk. One watch, one watercolor, one Q&A bounded by that week’s pages.
  2. AR watercolor overlay. Point the phone at a map; Veeder’s island painting sits on the water.
  3. Dual Veeder × Brock. Two wives, overlapping Pacific years, different tones (illustrated wonder vs. hope-against-break).
  4. Object lesson. Journal as object; whale stamp; a child’s presence on the ship.
  5. Grief protocol for Mary Frances. Do not make the dead child a surprise mechanic.

Production steps

  1. NHA reproduction license for scans + transcript. Budget conservation-quality images of the 16 watercolors for textures.
  2. Date-index every page into the RAG store (WPI spreadsheet as scaffold).
  3. Two dated selves (1848–53 and 1853–56). No blended “whaling wife.”
  4. Cabin set: bunk, desk, small pane, rolling idle. Optimized MetaHuman for Quest.
  5. Voice: two actors; Veeder slightly more descriptive, Brock more spare. Captions — handscript is hard.
  6. Eval with maritime historians of women at sea and with MMA/NHA education (child visitors will ask about the baby).

Budget band

$100k–$200k for one cabin + one woman + AR paintings. Dual cabin ~1.5×, not 2× (shared ship art). Cheaper than Essex because the moral design is narrower and the text is already scanned.